Showing posts with label tauriel. Show all posts
Showing posts with label tauriel. Show all posts

Saturday, February 14, 2015

starlight and earth (2)

I was thinking about this today, about tauriel’s stiffness and seriousness when kili mentions having something down his trousers, her jittery confusion when kili teases about his “cursed talisman”—and how desperately he says “or not!” when she’s already walking away, how quickly he talks, just to get her back

(awkward darling children, she doesn’t remember how to laugh and he doesn’t know how not to be overlooked they’re so bad at this but then they’re talking about light and memory and moons, and that seems promising, like something that could flower under the warmth of your palm)

I was thinking about how broad kili’s fingers are compared to hers, when he takes the stone back from her, and how cool her hands feel against his fevered skin, and how she and fili keep vigil beside kili’s sickbed, and fili tells all the right stories—the ones only a big brother can tell, like when kili was forty and utterly convinced he was the next great nabla player, so the whole royal line of durin had to go around with cotton stuffed in their ears.

and sometimes kili wakes up and smiles at the both of them—a crooked, contented smile, his eyes half-lidded with sleep, and tauriel is warm, warm, warm.

(when they stand beside one another on the battlefield, and tauriel leans down and murmurs after this—after this we see the stars. promise me. I know you can be reckless.

and kili turns slightly, just enough for his lips to brush her jaw. I promise, he says, though his voice breaks against her skin. I promise. I promise. I promise.)

(it isn’t enough, in the end.)

starlight and earth

I think a lot about that scene at the lakeside, when kili says you make me feel alive and amralime, and tauriel gasps, tauriel scrabbles for space, for distance, for some semblance of objectivity, because—someone must, someone must be sensible, she must be sensible—love does not warp the world around it it is an accident of the heart in a world of knives, and she would not see him bloodied to ribbons in her name; she is water, she shapes herself to the stones she flows around, elven-kings and woodland princes and her own exile, only—

only he gives her shape, a promise-stone meant for his mother, he sees her, as she is, calm and clear-eyed and true, and teases her irreverently despite her seriousness, he pins her down, makes her stay, makes her real, and when he says I am not afraid it is because he is not, because she does not give an inch and so he will not either, will not apologize.